The Hobbit: The Desolation of Smaug instal the new for ios

“’I want to see Smaug, I want to see Smaug.’. The responsibility of doing right by Tolkien’s great dragon was not lost on The Desolation of Smaug’s director.“You keep hearing all this expectation,” Peter Jackson told Hero Complex in December 2013. After all, for many fans of high fantasy, Smaug is the definitive dragon and the standard by which all other winged literary lizards are measured. Given the massive, fire-breathing creature’s role in the quest that brought diminutive hobbit Bilbo Baggins and a company of dwarves there and back again, it was certainly no small task – and no small amount of pressure – in bringing the creature to life. Tolkien’s The Hobbit, fans of the 1937 novel began pondering the ways in which the mighty dragon Smaug could be brought to life on the big screen with all the majesty of his literary counterpart. Previously, we explored the breathtaking visual magic of outer-space thriller Gravity, the process of building the San Francisco cityscape of 2259 for Star Trek Into Darkness, the task of animating an army of automated suits of armor in Iron Man 3, and the trouble with trains in The Lone Ranger. Next, we look at The Hobbit: The Desolation of Smaug and the way director Peter Jackson brought the film’s fearsome, fire-breathing dragon to life.įrom the moment that plans were first announced for a live-action adaptation of J.R.R. In recognition of these five films and one of our favorite Oscar categories, we’re putting the spotlight on one “Visual Effects” nominee each day leading up to Sunday’s broadcast and taking a closer look at what made them stand out.

Five films are nominated for an Academy Award in the “Visual Effects” category this year, and they each offer a nice look at the amazing tricks filmmakers and their effects teams can pull off on the big screen.

The Hobbit: The Desolation of Smaug instal the new for ios